The film gets away with one or two good scares, but the circular, "surprise" ending is nonsensical and unsatisfying. Cerdà quickly lets slip his woeful lack of skill with a curious, "arty" predilection for switching camera focus in the middle of a shot, as well as aggravating, jerky camera work and jumpy editing. Learning that her mysterious, unknown birth mother has left her some property, the adopted Marie journeys to Russia, meets the twin brother (Karel Roden) she never knew she had and gets stuck in a house full of ghosts. (R 96 min.) This feature debut from Spanish director Nacho Cerdà instantly sets itself apart from other horror films by focusing on a 40-year-old woman, Marie (Anastasia Hille), instead of the usual band of brain-dead teens. Leads to a twist ending that presumes a terrific amount of police Man isn't charismatic, and Holmes can't carry the picture, which Laura, with a cast of decadent college eccentrics andĪ maybe-dead, maybe-alive figure at the center. Some effort to make this film a cerebral thriller like the film The policeman falls in love with the girl he's protecting. Now he's back, and a none-too-competent cop withĪ drinking problem (Benjamin Bratt) is investigating. Market." On the other hand, it's a thriller Katie is stalkedīy the boyfriend (Charlie Hunnam) who broke her heart. Thesis on "Emerging Ancillary Matrixes in the Global Wireless Catherine, called Katie (Katie Holmes), is finishing her Girl with liberal-arts longings walling herself alive as an economics (PG-13 99 min.) On the one hand, it's a story of a working-class (G 77 min.) An animated story about an orphaned boy in Poland, based on children's stories by Isaac Bashevis Singer.
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